Friendship

“Friendship is devolving, in other words, from a relationship to a feeling — from something people share to something each of us hugs privately to ourselves in the loneliness of our electronic caves, rearranging the tokens of connection like a lonely child playing with dolls. The same path was long ago trodden by community. As the traditional face-to-face community disappeared, we held on to what we had lost — the closeness, the rootedness—by clinging to the word, no matter how much we had to water down its meaning. Now we speak of the Jewish “community” and the medical “community” and the “community” of readers, even though none of them actually is one. What we have, instead of community, is, if we’re lucky, a “sense” of community — the feeling without the structure; a private emotion, not a collective experience. And now friendship, which arose to its present importance as a replacement for community, is going the same way. We have “friends,” just as we belong to “communities.” Scanning my Facebook page gives me, precisely, a “sense” of connection. Not an actual connection, just a sense.”

It is easy to assume that our definition of friendship only started to change with the advent of social media (like Facebook, Twitter, etc). However, William Deresiewicz’ excellent piece, Faux Friendship, in The Chronicle of Higher Education outlines the ways our understandings of friendship have transformed, from antiquity, through the renaissance, into modernity and up to the present day. At each stage of history, what friendship meant described not only the way people treated those they knew, but also the relationship that groups of people had to society as a whole (and the political ideas that drove those societies).

“Finally, the new social-networking Web sites have falsified our understanding of intimacy itself, and with it, our understanding of ourselves. The absurd idea, bruited about in the media, that a MySpace profile or “25 Random Things About Me” can tell us more about someone than even a good friend might be aware of is based on desiccated notions about what knowing another person means: First, that intimacy is confessional—an idea both peculiarly American and peculiarly young, perhaps because both types of people tend to travel among strangers, and so believe in the instant disgorging of the self as the quickest route to familiarity. Second, that identity is reducible to information: the name of your cat, your favourite Beatle, the stupid thing you did in seventh grade. Third, that it is reducible, in particular, to the kind of information that social-networking Web sites are most interested in eliciting, consumer preferences. Forget that we’re all conducting market research on ourselves. Far worse is that Facebook amplifies our longstanding tendency to see ourselves (“I’m a Skin Bracer man!”) in just those terms. We wear T-shirts that proclaim our brand loyalty, pique ourselves on owning a Mac, and now put up lists of our favourite songs. “15 movies in 15 minutes. Rule: Don’t take too long to think about it.”

So information replaces experience, as it has throughout our culture. But when I think about my friends, what makes them who they are, and why I love them, it is not the names of their siblings that come to mind, or their fear of spiders. It is their qualities of character. This one’s emotional generosity, that one’s moral seriousness, the dark humour of a third. Yet even those are just descriptions, and no more specify the individuals uniquely than to say that one has red hair, another is tall. To understand what they really look like, you would have to see a picture. And to understand who they really are, you would have to hear about the things they’ve done. Character, revealed through action: the two eternal elements of narrative. In order to know people, you have to listen to their stories.”

As much as I enjoy services like Twitter and remain committed to blogging, the idea that we might be letting Social Media be the primary way we understand ourselves troubles me. At our best we are far more interesting, complex and contradictory that a database impression might suggest and our potential is far greater that what pure consumerism can allow.