The Ten Most Common Photographic Mistakes

The Best Art­icle Every Day is an aggregator-blog, col­lect­ing insight­ful and pro­voc­at­ive posts from all over the blo­go­sphere. It has also become a solid fix­ture on my per­sonal A-list of blogs I read most days.

The Ten Most Common Pho­to­graphic Mis­takes is a post they high­lighted recently, from Andre Gunther’s excel­lent pho­to­graphy blog. It’s the sort of piece that qual­i­fies for the “if you only read one piece of pho­to­graphic advice this year, read this,” kind of com­mend­a­tion. There’s a lot of con­struct­ive advice here for the novice and not a little to get the more exper­i­enced pho­to­grapher think­ing about what they do.

Although I’ve looked at great photos and works of art all my life, it’s only recently that I’ve star­ted to look hard at and think about the objects I pho­to­graph before activ­at­ing the shut­ter. I’ve taken some decent images in the past, but typ­ic­ally they only came on occa­sions where I was immersed in travel (e.g., whilst on safari). I’ve learnt that (just like music), pho­to­graphy ini­tially appears to be about tech­nique and tech­no­logy, but is actu­ally about thought and pro­cess. Taking a few moments to observe some­thing or someone in their con­text, to con­sider the light and envir­on­ment and to think about where to shoot from can make a stun­ning difference.

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2 comments on this post.
  1. Toni:

    I was drawn to pho­to­graphy ini­tially because of the tech­nical side. How­ever while enjoy­ing that aspect, I found myself being drawn in 2 oppos­ite dir­ec­tions: a desire to cap­ture what I saw in a glance and a desire to cap­ture things in a way that didn’t reflect real­ity — pic­ture things that weren’t there. Of course I didn’t think of it like this at the time.

    TBH a lot of images are tedi­ous, even when of inter­est­ing or excit­ing objects, because they fail to cap­ture the ‘eye’ and ima­gin­a­tion. The hard­est part for me is break­ing out of obvi­ous com­pos­i­tional rules and making the effort to search out an angle in an image rather than simply making a pho­to­graphic record of events.

    On dif­fer­ent note, I love digicams for their instant­an­eous and unlim­ited qual­it­ies, but they just don’t have the same image-capturing qual­it­ies of film. Of course some­times they are sig­ni­fic­antly better than film, but lack the smooth tonal qual­it­ies of a qual­ity silver-based image.

  2. Fernando Gros:

    Toni — I’m totally smit­ten with digital, but I hear in terms of a well pro­duced print. I love what I see on the screen but the miss­ing link for me is still get­ting a top qual­ity image in my hands that I can frame or album. The next step for me is hunt­ing down a pas­sion­ate and skilled developer work­ing with digital.

    I also hear you on com­pos­i­tional rules. I find it really help­ful to have learnt that stuff. But all the years of vis­it­ing art gal­ler­ies reminds me that so many artists have done there best stuff while inten­tion­ally play­ing with and know­ingly viol­at­ing said rules.