Mapping Globalisation Or Mapping Ideology?

starbucks-small

I’ve been think­ing a lot about maps lately, having just fin­ished Edward Tufte’s Beau­ti­ful Evid­ence and recently star­ted Willie Maarten’s Map­ping Real­ity.

So it was with great interest that I saw the map above on the some­what excel­lent World­Chan­ging blog. The images over at the map­ping glob­al­isa­tion wiki were excel­lent, but the most eye-catching we at the Inter­na­tional Net­works Archive.

But take a close look here at the Star­bucks map and here at another map of the global film industry.

A Single cup of star­bucks coffee can depend on as many as 19 dif­fer­ent countries…”

The Star­bucks and McDon­alds map looks impress­ive, but what (if any­thing) is the point of the map? Moreover, why place two quite dif­fer­ent busi­ness models side by side on the same page? It seems to be saying glob­al­isa­tion is bad, but does the evid­ence it presents make that case, or is that just an ideo­lo­gical assump­tion imposed on the data? I think what we have here is a implied infer­ence based on a false comparision.

The second map is even more troub­ling, in part because it is more obvi­ously false. When you first look at the map the plain gap is India, both as an importer and exporter of films. We get a side­bar on India that says, amongst other things,

“…the rise of Bol­ly­wood has taken the coun­try [India] by storm.”

When I was a child it was a well known fact that India cranked out more movies than Hol­ly­wood and had more cinemas than the US. Bol­ly­wood is not a new phe­nomenon and neither is the export of its films. If you want to make an inter­est­ing point about glob­al­isa­tion and film, why not talk about the way immig­rant com­munit­ies create new mar­kets for for­eign lan­guage films and revital­ise local film industries?

“…mass export­a­tion to other coun­tries seems unlikely until the industry matures into some­thing more akin to Hollywood.”

But wasn’t 2001 (the focus of the map) the year every­one went ga-ga over Laagan? Wasn’t it the year when Kabhi Khushi Kabhie Gham messed with everyone’s film account­ing by sneak­ing into the top ten in both the US and the UK? Take a look at the box-office top ten in the UK most weeks now, and you will see at least one Bol­ly­wood film in there.

This map clearly wants to make a (neg­at­ive) point about the US film industry and it isn’t about to let the facts get in the way.

Tech­nor­ati Tags: , ,

Comments are closed.

Switch to our mobile site